A constrast of two editions of spring in a small city shows the different perspectives and narrative similarities of two generations of chinese movie conductors represented by fei mu and tian zhuangzhuang 摘要通过对新旧两版《小城之春》的比较，分析费穆与田壮壮两代中国导演的不同电影演绎视角，认为新旧两版《小城之春》均为相同叙事背景下的中国电影精品。
